I am now a fan of Thomas Mann, and I'm taking a break just to share that thought with you. Funny that just when I announce that I won't be blogging as much as I used to, I immediately start blogging with incredible frequency. Should have expected that, I suppose.
Anyway, if you've never read him before, I suggest you start with Mario and the Magician, then Tonio Kroeger, and then finally work your way to Death in Venice. It's whole lot nicer that way, instead of just going straight to Death. (I read Death in college and I hated it.)
"He went the way that he must go, a little idly, a little irregularly.... and if he went the wrong way it was because for some people there is no such thing as a right way. Asked what in the world he meant, he gave various answers, for he was used to say that he bore within himself the possibility of a thousand ways of life, together with the private conviction that they were all sheer impossibilities."
Am I the only one compelled to nod her head? And yet I feel the urge to reach for that thing that I am convinced is impossible. But not for the reasons you think.
"Literature is not a calling, it is a curse, believe me! When does one begin to feel the curse? Early, horribly early... It begins by your feeling yourself set apart, in a curious sort of opposition to the nice, regular people; there is a gulf of ironic sensibility, of knowledge, of skepcticism, disagreement between you and the others... you realize you are alone..."
A painful thing when you're only seven. I was very anti-social as a kid.
"When these worthy people are affected by a work of art, they say humbly that this sort of thing is a gift. And because in their innocence they belive that beautiful and uplifiting things must have beautiful and uplifting causes, they never dream that the 'gift' in question is a very dubious affair and rests upon extrememly sinister foundations..."
Extremely sinister foundations. Oh yes, sinister indeed.

You're Prufrock and Other Observations!
by T.S. Eliot
Though you are very short and often overshadowed, your voice is poetic and lyrical. Dark and brooding, you see the world as a hopeless effort of people trying to impress other people. Though you make reference to almost everything, you've really heard enough about Michelangelo. You measure out your life with coffee spoons.
Take the Book Quiz
at the Blue Pyramid.